The wave
A wave rears up between the rocks and the low sun shines straight through it — for one second the whole swell is lit green glass.
A wave rears up between the rocks and the low sun shines straight through it — for one second the whole swell is lit green glass.
A waterfall hits the wall so hard it stops being water — just a roar of mist climbing back up the cliff it fell from.
Sunset on a rocky shore, the surf throwing itself at the sea stacks again and again while a lone bird keeps watch from the rock.
Long exposure at the foot of a waterfall — water combed to silk over the rock steps, and one fallen log wearing a coat of moss where the spray never stops.
An empty road bends toward the Tetons — fresh snow on the peaks, the meadow gone to autumn gold, and cloud pouring over the ridge like the range is breathing.
A geyser lets go — boiling water thrown into the wind and a wall of steam rolling across the basin, the ground around it crusted white with minerals.
Sunset takes the amphitheater like a slow fire — a thousand hoodoos burning orange while winter's snow holds out in the shadows between them.
The trail slips between giants that were old before any of our names for them — bark like canyon walls, ferns at their feet, daylight arriving secondhand through the crowns.
The earth runs hot under this water — steam torn from the spring catches the low sun and burns, while the terraces step the heat down pool by pool toward the cold morning.
Ice is the whole country in Kenai Fjords National Park — seracs stacked like broken masonry, crevasses lit blue from within, a glacier moving too slowly to see and too surely to stop.
The desert holds up one last fortress in Vermilion Cliffs National Monument — a butte ribbed and banded like old armor, shedding itself grain by grain into the badlands below.
The cold doesn't ask — it comes down the wall in fog and frost, whitening every fir on its way, while the last aspens burn orange against a season that always wins.